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Even when it sounds like a computer, I promise, we figured out a way to make that sound. “There are no computer tricks, no artificial sounds. When I started, I wanted this record to be groovy, stripped down to the message and the feel. “So this album I wanted to be a real organic thing: I play 99% of the lead guitar, my band’s on it – and there’s even a theremin, which I had to learn to play. “Songs that are pleasing to the heart, songs where your heart hears it, and you feel something in your heart, they don’t need all that stuff,” Brice explains. It’s all over Brice’s self-titled new record, too, which serves as a homecoming and a homing device on the essence of what’s defined the man whose written hits for Garth Brooks, Tim McGraw, Jason Aldean and the Eli Young Band, who had their breakout single with “Crazy Girl.” There’s a newfound simplicity to tracks like the real life “Songs In The Kitchen,” the soul searching “What Keeps Me Up At Night,” the loving reality check “Boy” and self-recognizing “I Don’t Smoke,” which scrapes Brice’s music to the bone and features guitars by Warren Haynes. I was so sheltered, I didn’t understand it was just church music – and it felt good! It coulda been Ray Charles, too, but it was all over her playing.”
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She played the piano, and when she played she was black - and I didn’t know it, or think about it. “She could play one note, and pierce your heart. “My Aunt Henrietta had the groove,” he says. For a man known for raucous live shows and contemplative songs, there’s a whole lot of gospel driving his fourth album. When you dig into Lee Brice, with its thick grooves, the squalling guitars, the tumbling drums, sheets of steamy B-3 organ and wide open vocals, the two time CMA/ACM/Grammy Song of the Year nominee takes listeners to church, school, home and out on a Saturday night.